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The Princess and the Goblin

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Brand: PRINCESS & THE GOBLIN

No Description Available
No Track Information Available
Media Type: DVD
Artist: PRINCESS & THE GOBLIN
Title: PRINCESS & THE GOBLIN
Street Release Date: 03/06/2007
Domestic
Genre: CHILDREN'S VIDEO

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Copying Beethoven

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Brand: HARRIS,ED

When young Anna Holz (Diane Kruger), a Viennese music student is asked to transcribe scoring notes for the great Ludwig van Beethoven (Harris), she eagerly accepts, despite warnings about his volatile behavior. Part maestro, part mentor and part madman, Beethoven reluctantly relies on Anna to help him realize the culmination of his art.

A passionate, powerful drama based loosely on the final months of Ludwig van Beethoven's life, Copying Beethoven finds the maestro a haunted man, composing the most revolutionary yet unappreciated work of his lifetime; largely deaf; disappointed in his relationship with a wastrel nephew; and fascinated by a young, female composer, Anna Holtz (Diane Kruger), who goes to work for him transcribing music. Staying as a guest at a convent and engaged to a stolid engineer, Anna is drawn to Beethoven’s tempestuous genius. Half the time he's enchanted by her and seems to see straight through to her soul. The other half, he's shouting at her for her timidity or flattery. Hardly a mouse, Anna fights back. The more she does, the more Beethoven recognizes in her a kindred survivor, someone with whom he can reveal his vulnerability and the burden of his artistry. Ed Harris' Beethoven is wracked by pain but not overwhelmed by it; he looks like a man who understands his responsibility to nature too well to merely disintegrate. ("God whispers in most men's ears," Beethoven says. "He shouts in mine.") Director Agnieszka Holland (Olivier, Olivier) oversees a handsome, alternately tender and brutal drama, with several thrilling moments, including the stunned look of audience members hearing the world premiere of the glorious 9th Symphony. --Tom Keogh

Copying Beethoven Extras

Watch Ed Harris speak about portraying Beethoven in this exclusive clip.



Beyond Copying Beethoven

Copying Beethoven Soundtrack

Famous Composers: Ludwig Van Beethoven

More From MGM



Stills from Copying Beethoven







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Gloomy Sunday

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Brand: Warner Brothers

Gloomy Sunday, winner of major German film awards and an art-house favorite that ran 70 weeks in Boston, hits all the right notes with its poignant, glowingly shot tale set in Budapest during the Holocaust and, like Schindler's List and The Pianist, filled with the passion and pain of that tragic era. The song itself - recorded by Billie Holliday and other greats - is the stuff of legend, reportedly having a fateful real-life impact similar to that shown on screen. But it's love's power that is ultimately at the heart of this acclaimed film. And from the opening scene to the deft twist ending, that power is extraordinary.

The magic of music, the power of love, the evils of money, and the horror of genocide are the weighty themes tackled in Gloomy Sunday, a moving German-Hungarian film from director/co-writer Rolf Schubel. Released theatrically in 1999, it's said to have been "inspired by actual events," and it is true that the title song, written in the '30s by Rezso Seress (with Hungarian lyrics by Laszlo Javor), was a worldwide hit in its day; it's also a fact that the song has since been covered dozens of times, by artists ranging from Billie Holiday to Bjork and Elvis Costello. As for the suggestion that "Gloomy Sunday" was banned after being connected to multiple suicides, including the composer's, that's a bit more dicey. In any case, it plays a pivotal role in the love story set in Budapest during the ascension of the Third Reich and the onset of the Holocaust. Restaurant owner Laszlo (Joachim Krol) is in love with Ilona, his hostess (Erika Marozsán), a dark-eyed beauty who plays men as easily as Horowitz plays "Chopsticks"; she loves him as well, but that doesn't mean she won't welcome Andras (Stefano Dionisi), the restaurant's new piano player, into her bed as well. Everyone seems to handle that with admirable equanimity, at least until the young German Hans (Ben Becker) inserts himself into the scene. Having been rejected by Ilona, Hans throws himself into the Danube, only to be rescued by Laszlo; when he assures his savior that "We'll meet again," we know that's not necessarily a good thing. Indeed, when Hans returns to Budapest, he's a Nazi colonel. Things get hairy in a hurry after that: Laszlo is Jewish, Ilona still doesn't want Hans, and we're left to discover if the German officer is either another Oskar Schindler or a heartlessly venal criminal loyal only to himself. All of this is played out against the backdrop of a lovely city, with costumes, art direction, and a palette of rich, warm colors creating a convincing period feel. The DVD has no bonus features, but a cursory search of the 'net will turn up multiple versions of the title tune, a sweet but melancholy melody that sounds, as one character puts it, "as if someone were saying something you don't want to hear" but know to be true. --Sam Graham

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Sunshine

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Brand: Paramount

Ralph fiennes superbly plays three roles in this acclaimed epic about a jewish family caught up in the war-swept 20th century. A story of courage love and faith and the three generations of men who fought for it all. Studio: Paramount Home Video Release Date: 03/28/2006 Starring: Ralph Fiennes Rachel Weisz Run time: 180 minutes Rating: R Director: Istvan Szabo

Although Sunshine was made by a Hungarian, István Szabó, and deals with the history of Hungary as refracted through three generations of a Jewish-Hungarian family, you might be more inclined to give it three hours of your own life if you approach it as a David Lean movie in spirit. It is an English-language picture, and Maurice Jarre's music recalls his score for Doctor Zhivago. Szabó emulates Lean's intimate-epic style of merging the sweep of history with the crystalline detailing of individual lives, so that the shape of destiny is glimpsed through personal moments that feel at once evanescent and eternal. His lighting cameraman, Lajos Koltai, is one of the handful of cinematographers equal to capturing these moments in lapidary images--cinematic sunshine of the highest order.

"Sunshine" is a literal translation of Sonnenschein, the family name of the central characters. And "destiny" is one meaning of Sors, the name three Sonnenschein offspring choose for themselves to better assimilate as subjects of the Austro-Hungarian empire. Two are brothers, Ignatz (Ralph Fiennes) and Gustave (James Frain); their sister (by adoption) Valerie (Jennifer Ehle) is really their cousin. Both men love her, and Ignatz rocks the ultratraditional family by taking her as his wife. Nevertheless, the Sonnenscheins and the Sors enter upon the 20th century in loving solidarity, grateful to live under a liberal and tolerant regime. That's all swept away by the Great War, the rise of Nazism, and its replacement, the new fascism of Stalinist Communism. Valerie survives them all--though she's played later on by Rosemary Harris, Ehle's own mother. For his part--or parts--Ralph Fiennes goes on to embody two later generations of Sonnenschein/Sors men, the proudly patriotic Adam and his son, the rudderless Ivan, whose guilt over being a compliant prisoner at Auschwitz leads him to buy into the passionate puritanism of the Stalinist purges. Fiennes rises to the awesome challenge of creating three utterly distinct characters who all share the same congenital weaknesses and aching potential for greatness.

This is a film of considerable beauty and sometimes shattering power. Even three hours is not enough to do justice to all the characters, all the wrenching turnarounds of history and political allegiance and rectitude. But the film is never less than gripping, and as an essay on "family values," it's well-nigh definitive. --Richard T. Jameson

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Kontroll

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Brand: Image Entertainment

The Budapest subway system, the world’s oldest, is a dark labyrinthine netherworld as vast and various as the city above. Hordes of people pass through on their way to better, brighter places. There are some who spend most of their lives underground- the ticket inspectors or "Controllers" who are assigned in teams to sections of the system and whose thankless job is to ensure that no passengers ride without paying… Deployed by those in control- they are a much-despised lot…who on his way wants to be stopped and asked for a receipt by petty officers that represent power at its most powerless.

The setting of Kontroll is the Budapest subway system, one of the largest and oldest in the world, and a place that becomes an omniscient character in an ambitious film that jumbles dark comedy, slick action, and horror-movie conventions. The other main character is Bulcsú (Sándor Csányi), part of a team of disheveled ticket inspectors--controllers--who roam the grimy, fluorescent-lit city-under-the-city in a soul-destroying ritual. The job has become such a part of Bulcsú that he never leaves the underground. He has taken to sleeping on empty platforms and getting progressively more unkempt as he accumulates more bruises, bloody noses, and bitterness from his scraps with a variety of unseemly creatures of the night (and day). Among the post-punk, post-communist habitués of this subterranean metropolis are a cute girl in a teddy-bear suit, a rival gang of ticket inspectors who like to play a deadly game of chicken with express trains, and a hooded specter who may or may not be pushing people under subway wheels at crowded stops. First-time director Nimród Antal keenly juggles black comedy, character types, and genre styles, making the most of the weird angles and inherent dark creepiness of his chosen backdrop. Kontroll keeps pace as a hip, flashy, fast-moving set piece by any international measure. --Ted Fry

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Shot Through the Heart

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Brand: HBO HOME VIDEO

Two friends, each champion marksmen, are on opposite sides in war. One turns sniper for the enemy. One remains their town's last line of defense. In a terrible battle for power, two best friends must pull the trigger. Only one will feel the bullet - but both will feel the pain.

Features:

  • History runs deeper than friendship- and blood runs deeper than both. Two friends (Linus Roache & Vincent Perez), each a champion marksman, have been inseparable since childhood, but the collapse of their nation divided by civil war in a ruthless, bloody struggle for independence and power. Almost overnight, neighbors and families once united are torn apart-and two best friends themselves on o

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Max

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Brand: Lions Gate

Studio: Lions Gate Home Ent. Release Date: 03/09/2004 Run time: 108 minutes Rating: R

The dark connections between art, desire, and evil fuel Max, an alternate-history fantasy that imagines what might have happened if a Jewish art dealer named Max Rothman (John Cusack, High Fidelity) had befriended Adolf Hitler (Noah Taylor, Shine) when he was a frustrated artist, before he turned to politics to vent his hatred. Some critics have expressed fear that even to attempt to make Hitler understandable is to diffuse or dismiss his malignancy; but watching Hitler vacillate between Rothman's attempts at mentorship and the encouragement of an ambitious military officer demonstrates the pettiness, desperation, and craven need that can bring horror into the world. Cusack portrays a generous man with simple decency and not a trace of grandstanding, but Taylor--with glittering eyes and lips twisted with bile--is both fascinating and repellent in an impressive performance. An intelligent and complex film, Max deserves to find an audience. --Bret Fetzer

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Wagner - The Complete Epic

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Over a hundred years after his death, Richard Wagner remains an enigma. His was a rags-to-riches saga with a fairy tale ending. He was loved, yet hated; admired, yet despised. He was a heroic villian who was worshipped and whose fame and exploits were the gossip of Europe. Above all, he was an incurable romantic whose affair with Liszt's illegitimate daughter rivals that of Romeo and Juliet. But he was also a dangerous political revolutionary whose influence penetrated the fabric of German society in the nineteenth century. He was a legend in his own lifetime, and he was one of the greatest composers to ever live. Only an actor of the stature of Richard Burton could measure up to the titanic character of Wagner, and this proved to be his final film role. Academy Award winner Vanessa Redgrave co-stars as Cosima, Wagner's second wife, a woman who had a dramatic impact on German history until her death in 1930. The incredible supporting cast also includes screen legends Sir Laurence Olivier, Ralph Richardson and John Gielgud. Filmed in wide screen 35mm Dolby Stereo, this major drama production is one of the largest East West co-productions ever undertaken.

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Fateless

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Brand: THINKFILM LLC

Don’t miss this unforgettable story of a child who had the courage to come home.

Set in 1944, as Hitler’s Final Solution becomes policy throughout Europe, Fateless is the semi-autobiographical tale of a 14 year-old Jewish boy from Budapest, who finds himself swept up by cataclysmic events beyond his comprehension. A perfectly normal metropolitan teen who has never felt particularly connected to his religion, he is suddenly separated from his family as part of the rushed and random deportation of his city’s large Jewish population. Brought to a concentration camp, his existence becomes a surreal adventure in adversity and adaptation, and he is never quite sure if he is the victim of his captors, or of an absurd destiny that metes out salvation and suffering arbitrarily. When he returns home after the liberation, he missed the sense of community he experienced in the camps, feeling alienated from both his Christian neighbors who turned a blind eye to his fate, and the Jewish family friends who avoided deportation and who now want to put the war behind them.

Features:

  • Based on Imre Kertesz's prize-winning autobiographical novel SORSTALANS G, FATELESS is about a 15-year-old Hungarian Jew interred at Auschwitz. Format: DVD MOVIE Genre: DRAMA Rating: NR Age: 821575546652 UPC: 821575546652 Manufacturer No: TF-54665

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All the Queen's Men

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Brand: Warner Brothers

WWII spy comedy. An American army officer (Matt LeBlanc) leads a mismatched team of British Special Services who must go in disguise as women and infiltrate a female-run Enigma factory in Berlin and bring back the decoding device that will end the war. The team, with the exception of one member who happens to be a drag performer (Eddie Izzard), must learn the basic skills for completing their mission, like walking in heels and applying lipstick. The American and his team stumble through the German factory in full drag, barely escaping the clutches of German soldiers, while attempting to complete the most important mission of their lives.

All the Queen's Men has the makings of a broad comedy--in particular, it features men in dresses. At the height of World War II, American agent Matt LeBlanc (Lost in Space, the TV series Friends) leads an oddball team behind enemy lines to steal a Nazi code-making machine; the trick is, the factory where the machines are made is entirely staffed by women, and so the team has to go in drag. But despite this seemingly farcical premise, All the Queen's Men is strongest in its dramatic elements, such as a scene in which the team is delayed when Allied airplanes bomb Berlin, forcing the undercover operatives to see the havoc of war from the other side. LeBlanc is the weak link; the rest of the team (David Birkin, James Cosmo, and brilliant comedian/transvestite Eddie Izzard) navigate the film's unstable tone and numerous implausibilities with considerably greater skill. --Bret Fetzer

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